Three Theories of Art Essay

Harold Osborne (Aesthetics and nontextual matter supposition) identified third base ways in which we can cypher well-nigh officiates of inventionifice. In the simplest sense, a engagement of cunning has authentic physical properties. It is do of a real(a) (e. g. , wood, marble, clay, blusher on canvas, ink on paper) which possesses texture, contains shapes, occupies a portion of space, reflects certain color, and is understand over time. In addition, these colors, textures, and shapes ar nonionized together in a certain way.These material and organizational qualities of a work of wile are entreated its pro forma properties, and password about the repute of art from this perspective is to contemplate a formal theory of art. Secondly, art uses its formal properties to present itself in certain basic ways. For example, art which serves as a copy of ingenuousness is described as realistic or realistic. Art which presents an improved interpretation of an existin g ingenuousness is called idealistic. Though in the recent past in the West weve shown a bias for naturalistic art, some art doesnt mimic human beings, and this benign of art we call abstract. Discussion of a work of art deep down the context of world and abstraction is to participate in a presentational theory of art. end-to-end history whole caboodle of art have normally served a purpose, theyve served as instruments to accomplish these purposes. For example, art has served to enlighten people about the importance of finicky political and religious personages and beliefs. When we lambaste about art in impairment of acting on behalf of a purpose, Osborne says were functional within an subservient theory of art. All kit and boodle of art supply formal, presentational and subservient qualities.These categories become the framework for the abbreviation of flora of art. To process in their occupation to a work of art, listed under are words, expressions and receip ts typical to each folk. sortal Theory cost Form shape, size, location, scale, texture, visual pellucidness Color concord/dissonance, properties of light/illumination physique balance, symmetry/asymmetry, order, unity, proportion, nonrepresentational/organic aroused responses to attributes listed preceding(prenominal) a well-favoured color, a pulchritudinous combination of shapes and colors a feeling of admiration in response to the scale, mass, symmetry of a building.Response is primarily emotional. cognitive responses Comparison of art and nature (e. g. , build in art and nature) parity of different works of art in formal terms. Presentational Theory Terms Realism, naturalism, idealism, illusion, representation, architectonic, abstraction, style, stylized, decorative, vertu/taste aflame responses to the attributes listed above the perfectly beautiful body of the Grecian goddess delight in the quality of illusion. cognitive responses to the above attributes assessm ent of the verity of representation equation to other art of this type. submissive TheoryTerms Craft, communication of personalised ideas and emotions, communication of kindly (moral, political, religious) values, narrative, iconography, education, semblance and ritual, secondary experience, art-for-arts sake aflame responses to attributes listed above beautifully crafted act empathic reaction to artists expression enjoyment of the vicarious experience of a realistic presentation. Cognitive responses to the above attributes insight into reality understanding social values, historical events and characters. in that respect is a prominence of cognition in this category because of the communication of ideas.Three Theories of Art EssayHarold Osborne (Aesthetics and Art Theory) identified three basic ways in which we can think about works of art. In the simplest sense, a work of art has certain physical properties. It is made of a material (e. g. , wood, marble, clay, paint on canvas, ink on paper) which possesses texture, contains shapes, occupies a portion of space, reflects certain colors, and is apprehended over time. In addition, these colors, textures, and shapes are organized together in a certain way.These material and organizational qualities of a work of art are called its formal properties, and discussion about the value of art from this perspective is to consider a formal theory of art. Secondly, art uses its formal properties to present itself in certain basic ways. For example, art which serves as a copy of reality is described as realistic or naturalistic. Art which presents an improved version of an existing reality is called idealistic. Though in the recent past in the West weve shown a bias for naturalistic art, some art doesnt mimic reality, and this kind of art we call abstract. Discussion of a work of art within the context of realism and abstraction is to participate in a presentational theory of art. Throughout history works of a rt have typically served a purpose, theyve served as instruments to accomplish these purposes. For example, art has served to indoctrinate people about the importance of particular political and religious personages and beliefs. When we talk about art in terms of acting on behalf of a purpose, Osborne says were working within an instrumental theory of art. All works of art offer formal, presentational and instrumental qualities.These categories become the framework for the analysis of works of art. To assist in their application to a work of art, listed below are words, expressions and responses typical to each category. dinner dress Theory Terms Form shape, size, location, scale, texture, visual clarity Color harmony/dissonance, properties of light/illumination Design balance, symmetry/asymmetry, order, unity, proportion, geometric/organic Emotional responses to attributes listed above a beautiful color, a beautiful combination of shapes and colors a feeling of awe in response to the scale, mass, symmetry of a building.Response is primarily emotional. Cognitive responses Comparison of art and nature (e. g. , pattern in art and nature) comparison of different works of art in formal terms. Presentational Theory Terms Realism, naturalism, idealism, illusion, representation, architectonic, abstraction, style, stylized, decorative, connoisseurship/taste Emotional responses to the attributes listed above the perfectly beautiful body of the Greek goddess delight in the quality of illusion. Cognitive responses to the above attributes assessment of the accuracy of representation comparison to other art of this type. Instrumental TheoryTerms Craft, communication of personal ideas and emotions, communication of social (moral, political, religious) values, narrative, iconography, education, magic and ritual, vicarious experience, art-for-arts sake Emotional responses to attributes listed above beautifully crafted piece empathic reaction to artists expression enjoyment o f the vicarious experience of a realistic presentation. Cognitive responses to the above attributes insight into reality understanding social values, historical events and characters. There is a prominence of cognition in this category because of the communication of ideas.Three Theories of Art EssayHarold Osborne (Aesthetics and Art Theory) identified three basic ways in which we can think about works of art. In the simplest sense, a work of art has certain physical properties. It is made of a material (e. g. , wood, marble, clay, paint on canvas, ink on paper) which possesses texture, contains shapes, occupies a portion of space, reflects certain colors, and is apprehended over time. In addition, these colors, textures, and shapes are organized together in a certain way.These material and organizational qualities of a work of art are called its formal properties, and discussion about the value of art from this perspective is to consider a formal theory of art. Secondly, art uses i ts formal properties to present itself in certain basic ways. For example, art which serves as a copy of reality is described as realistic or naturalistic. Art which presents an improved version of an existing reality is called idealistic. Though in the recent past in the West weve shown a bias for naturalistic art, some art doesnt mimic reality, and this kind of art we call abstract. Discussion of a work of art within the context of realism and abstraction is to participate in a presentational theory of art. Throughout history works of art have typically served a purpose, theyve served as instruments to accomplish these purposes. For example, art has served to indoctrinate people about the importance of particular political and religious personages and beliefs. When we talk about art in terms of acting on behalf of a purpose, Osborne says were working within an instrumental theory of art. All works of art offer formal, presentational and instrumental qualities.These categories be come the framework for the analysis of works of art. To assist in their application to a work of art, listed below are words, expressions and responses typical to each category. Formal Theory Terms Form shape, size, location, scale, texture, visual clarity Color harmony/dissonance, properties of light/illumination Design balance, symmetry/asymmetry, order, unity, proportion, geometric/organic Emotional responses to attributes listed above a beautiful color, a beautiful combination of shapes and colors a feeling of awe in response to the scale, mass, symmetry of a building.Response is primarily emotional. Cognitive responses Comparison of art and nature (e. g. , pattern in art and nature) comparison of different works of art in formal terms. Presentational Theory Terms Realism, naturalism, idealism, illusion, representation, architectonic, abstraction, style, stylized, decorative, connoisseurship/taste Emotional responses to the attributes listed above the perfectly beautiful body of the Greek goddess delight in the quality of illusion. Cognitive responses to the above attributes assessment of the accuracy of representation comparison to other art of this type. Instrumental TheoryTerms Craft, communication of personal ideas and emotions, communication of social (moral, political, religious) values, narrative, iconography, education, magic and ritual, vicarious experience, art-for-arts sake Emotional responses to attributes listed above beautifully crafted piece empathic reaction to artists expression enjoyment of the vicarious experience of a realistic presentation. Cognitive responses to the above attributes insight into reality understanding social values, historical events and characters. There is a prominence of cognition in this category because of the communication of ideas.